SEVERAL CIRCLES

Kandinsky painted this work in his sixtieth year and it demonstrates his lifelong search for the ideal form of spiritual expression in art.

Created as part of his experimentation with a linear style of painting, this work shows his interest in the form of the circle. “The circle,” claimed Kandinsky, “is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.” He relied upon the varied possibilities of interpretation for the circle to create a sense of spiritual and emotional harmony in this work. The diverse dimensions and bright hues of each circle bubble up through the canvas and are balanced through Kandinsky’s careful juxtapositions of proportion and color. The dynamic movement of the round forms evokes their universality – from the stars in the cosmos to drops of dew; the circle a shape integral to life.